October - December 2020
The Hybrid Guest
Duo Show with Lillibeth Cuenca Rasmussen
Curated by Linda Rocco
Laure Genillard Gallery
September - October 2020
as part of Celsius Programme
Mansions of the Future, supported by the Antarctica Heritage
programme moved to the digital realm due to COVID-19
This event is delivered by independent curator and researcher Linda Rocco as part of a wider programme marking 200 years since Antarctica was first sighted. Celsius forms part of Mansions of the Future’s Lincoln Live season and Antarctica In Sight – a UK wide cultural programme of activity supported by the UK Antarctica Heritage Trust. This series of talks, workshops and performance will explore the groundbreaking intersections of arts and STEM subjects with a focus on climate change and the uniquely precarious position of Antarctica in today’s sociopolitical climate. The week long programme will feature contributions from artists Rhine Bernadino, Lula Mebrahtu, Aidan Moesby and Josefina Nelimarkka.
Where I'm Coming From
Curated by _inventory Platform
Supported by Yinka Shonibare Foundation, the Ministry of Culture, Taiwan and Pineapple Lab, Philippines
Where I’m Coming From is a month-long digital residency dedicated to four languages that are present and spoken by a significant portion of the migrant community actively working and contributing to the British economy and yet highly invisible: Filipino, Taiwanese, Yoruba and Berber languages.
The programme aims to open up conversations around the exclusivity of language in accessing the production and consumption of arts and culture, alongside considering the wider cultural presence of underrepresented artists and groups in the international art debates.
The project orients towards increasing opportunities for new ways of working collaboratively, rethinking the impact and role of arts and culture in a pandemic and post-pandemic scenario. It emphasises with careful thought the vested importance of highlighting diversity and multiculturalism in such unique times. Along with this, the project also experiments on how to relocate as well as adapt concepts from one milieu to another - from a physical IRL space as the programme was initially conceived, to its current translation into the digital domain.
Where I’m Coming From directly engages with community groups by engaging them in leading food sessions each Sunday, allowing the general audience to learn about each cultural group’s cuisine to possibly reproduce and engage in their own homes.
Artists: Aderemi Adegbite (NGA), Taiwo Aiyedogbon (NGA), Jelili Atiku (NGA), Rhine Bernardino (PHL/UK), Kuan-Yu Chen (TW/UK), Aki Pao-Chen Chiu (TW/UK), Fatima Mazmouz (MR), Gouri Mounir (AL/FR), Lilibeth Cuenca Rasmussen (PHL/DH), Aïcha El Beloui (MR), Vanessa Scully (PHL/UK), Yu-Chen Wang (TW/UK)
_inventory Platform is a collaboration-based platform directed by Rhine Bernardino and Linda Rocco, showcasing artists’ works while aiding the co-creation of programmes to engage communities in the urban and rural context. Since its inception in 2015 _inventory has produced and facilitated exhibitions and live programs in the UK and Southeast Asia, showcasing an array of diverse international artists from emerging to established.
The weekly programme will be shared through Guest Projects’ digital website http://www.guestprojects.com/guestprojectsdigital. Some works will be there for audiences to experience anytime, others will premiere at a specific time and date, using Youtube. Audiences can take part in the live chat while watching a Youtube Premiere by logging into their YouTube account. Weekly updates will also be posted on Facebook (Guest Projects), Twitter (@guestprojects), and sent to subscribers of Guest Projects mailing list at email@example.com. Daily updates will be posted on Instagram at @guestprojects.
The four-week programme will try to be as accessible as possible, though we recognize this will be challenging with the resources available. All the pre-recorded videos will be subtitled, with translations available from one of the four languages to English, and vice versa.
Audio files are available for artists’ biographies and descriptions of works and all Live performances are available to watch with subtitles three days after the Live. An easy read guide is available for each week ‘s programme.
Some events will be streamed for a limited time and others will remain live on the website according to the individual artist’s discretion. Video can be paused for toilet breaks and rest breaks only when NOT Livestreamed.
For inquiries, please email firstname.lastname@example.org
TERRITORIAL AGENCY: OCEANS IN TRANSFORMATION
Follow on Ocean-Archive.org
Departing from the intersections of architecture, critical spatial practices, art, and activism, this Messy Studio hosted a discussion on Asia’s coastal Anthropocene and the way it shapes the future of urban living. This Messy Studio summit imagines daring contributions to these urgent and “as-yet-unsettled” discussions. Our new-old cities will perhaps be, as Italian philosopher Emanuele Coccia has recently suggested, “multi-species associations halfway between the city, the vegetable garden, the plantation, and the barn, where each living produce works for others and for itself.”
Guests: Rhine Bernardino, artist; Andrés Jaque, architect, Office for Political Innovation; Alvin
Li and Julian Junyuan Feng, curators, “Liquid Ground” exhibition; You Mi, curator and researcher; Irwan Ahmett and Tita Salina, artists.
Participants of the Ocean Fellowship: Alexandra Boghosian; Nchongayi Christantus
Begealawuh; Pietro Consolandi; Elisa Giuliano; Ghost in the Field; Fiona Middleton; Joe Riley;
Mentors: Louise Carver and Barbara Casavecchia
With: Territorial Agency (John Palmesino and Ann-Sofi Rönnskog); curator Daniela Zyman;
Markus Reymann, director of TBA21–Academy
Link to the Live: https://www.facebook.com/TBA.Academy/videos/2671943136240460/
Room Service #1
LOKALE, Griffenfeldsgade 27 Nørrebro, Copenhagen, Denmark
Room Service is a series of live interviews with international curators used to jumping in and out of different places, adapting to other cultures, social norms, attitudes and systems of production.
Room Service is initiated by Another Public and made in collaboration with
Human Hotel and LOKALE.
LOKALE is an artistic and curatorial collective investigating collaborative models and premises of artistic production, curating and communication. Human Hotel is a homesharing community on a mission to maximize meaningful meetings.
Another Public is an art agency that brings contemporary art into different kinds of
public contexts tapping into the way’s humans interact with each other,
their surroundings and art.
Biennial Southern Mindanao Art Laboratory
ArtEx is a venue for art practitioners and cultural workers to explore and expand their art-based approaches. It is a laboratory for Experimentation, Exchange, and Extensions outside of their usual spheres of production. It is a multi-disciplinary platform for young art practitioners across regional Philippines, designed to have multi-site and interdisciplinary workshops,
looking at interventions as exhibitions, and transnational interactions and collaborations. The project is developed in partnership with several indigenous communities in Southern Philippines, programmed and directed by ARRteh Curatura, funded by the National Commission for Culture and the Arts (NCCA) and supported by National Union for the Restoration of Environment, Inc. (Nature Inc.)
"Dissecting the Female Body through Art Practice”
Pineapple Lab, Poblacion, Makati City, Philippines
One-day series of workshops exploring femininity and physicality through a variety of art forms and practices.
Led by JOYEN, Rhine Bernardino, and Ea Torrado, these artists look to encourage engagement with unique art forms and stimulate an interest in the power of the female body. Through genres as diverse as dance, movement, and even rope bondage, these workshops will help participants discover and articulate their understanding of the feminine facets of their bodies.
In addition to the workshop proper, attendees are invited to join in conversations with the artists about the workshop, the art practices featured, and their curiosities about the ways we relate to the female body.
The Rural Assembly: Contemporary Art Spaces of Connection,
Whitechapel Gallery, 2019, London, UK
The Rural Assembly draws on a series of public programmes and research that developed throughout 2018. It looks at contemporary artists and creative practitioners who are challenging the assumptions made about rural life and culture, providing a new vision of the countryside grounded in everyday experience and a critique of the rural-urban binary. Connecting the local to the global, this conference invites an international and transdisciplinary conversation on art and the rural, with a focus on profiling projects from across the world.
The Rural Assembly also forms part of the East Contemporary Visual Arts Network’s project New Geographies, chaired and coordinated by Wysing Arts Centre and supported by an Ambition for Excellence grant from Arts Council England. The programme has also been supported by the Jonathan Ruffer Curatorial Research Grant from the Art Fund, and made possible through the contributions of partners: University of Aberystwyth, Istanbul Biennial, Manchester Metropolitan University and Wysing Arts Centre. Further support has been provided by the Royal Norwegian Embassy in London, and SAHA for Fulya Erdemci’s and Pelin Tan’s participation.